Jamming to the Big Bang

Jamming to the Big Bang examines how a decisive event can divide lived time. A horizontal yellow line crosses the painting like a timeline. Figures, memory images and biographical events gather around it without initially returning to a stable sequence. Life continues after the rupture, yet no longer unfolds in complete alignment with the time of the surrounding world.

Brown and black concentrations meet an expansive white movement. Small figures and scenic fragments emerge from this unstable field like images of dream and memory. They do not form a linear narrative but make different moments present at once: loss, remembrance and continuation no longer follow one another but coexist.

Set against the golden-yellow radiance of the universe in the background, these biographical events appear small without becoming insignificant. The cosmic field places personal experience within a larger temporal scale. What divides an individual life remains limited within the universe’s continuing movement, yet still formative.

On the canvas, the separated times converge within a shared field. Painting does not undo the rupture, but it brings what has been divided back into relation. “Jamming” names this pictorial convergence: different rhythms, memories and temporal layers meet, respond to one another and, for a moment, form a new present.